Busy Busy August

It’s been a very busy August with plenty digital work launched out of the Clemenger Group in New Zealand. I’m a little little short of time this month, so I have turned to cut and paste three of my twitter updates that feature client pieces that we are particularly proud of this month.

Farmers, your store now on Facebook. Sneak peak new season, behind the scenes video & more. 99 & AIM Proximity supported.
http://j.mp/9nDLMd 

9:27 AM Aug 4th via Twitter for iPhone

Mizone Moments when everything comes together seamlessly & the world around u slows down. Create a MIZONE moment from Colenso BBDO
http://j.mp/agvcIK 

6:14 PM Aug 18th via web

NZTA Ask any egg. Getting scrambled is the pits. NZTA interactive campaign / Clemenger BBDO Wellington.
Nice work @bpujji
http://bit.ly/c5yOJB 

10:08 AM Aug 23rd via Twitter for iPhone

Taking ladders and parkour to a new level. V Energy

V-Energy-Drink-45439_image
In 1887 French firefighters known as ‘Sapeur-Pompier’ (Pom-pee-yay) employed the use of a ‘pompier ladder’. The ladder was a simple device constructed to have a large hook at one end, which could be hooked over windows and ledges of buildings. The ladder theoretically allowed firefighters to reach every floor of a building. Later in the 1900s the discipline evolved into a unique sport, called Hakenleitsteigen, or ‘hook ladder climbing’.

v-isokinetic-sports-energy-drink Influenced by these physical disciplines, Pomparkour began as a niche pass time in early 2010 believed to have originated in New Zealand is now widely accepted as a sport in its own right.It  combines two “sports” – Pompier ladder climbing and Parkour, which uses acrobatic movements to run and jump over window ledges, overhanging roofs and gaps between buildings.Now the skill is being deployed by Colenso BBDO to promote a new energy and hydration drink from V Energy called V Isokinetic.

V_Republic_website

More about the sport of Pomparkour can be found at the V Republic community web site.

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600-Pomparkour%204 600-Pomparkour%205
600-Pomparkour%206 600-Pomparkour%207%20LO

Clemenger Group fantastic performance at Cannes 2010

Cannes_2010

We have had a fantastic performance at this year’s 57th International Advertising Festival in Cannes. Clemenger BBDO Group agencies received a total of sixteen Lions contributing greatly to BBDO Worldwide who picked up Network of the Year for the fourth year in a row. Colenso BBDO Auckland had a particular  strong year with three Gold’s, four Silver and three Bronze Lions. The Clemenger Group won awards in Integrated, Direct, Cyber, Promo, Outdoor, Design, Radio, Craft and Media. 

A highlight was Colenso BBDO and AIM Proximity winning a Silver Lion for the Yellow Pages ‘Yellow Chocolate’ campaign and Clemenger BBDO, Melbourne scoring a Silver Lion for their Guide Dogs Australia ‘Support Scent’ campaign in the Integrated Lions. Both of these ideas were great examples on how all marketing channels can come together to create a customer experience rather than just create messages expressed in different channels. Both of these ideas used the digital social worlds with the physical to get people engaged with each other overtime to create interest and brand preference.

yellow_chocolate

What is the taste of Yellow? 

Josh had six months to create the world’s first “yellow" tasting chocolate bar only using the Yellow Pages books, web and mobile products.

support_scent 

How do you show support for someone who can’t see?

Support Scent is an uplifting fragrance that for the first time lets the vision impaired truly sense your support.

Only fourteen awards were presented in the Integrated category with the Grand Prix going to Wieden & Kennedy Portend for their Nike Livestrong Foundation campaign. Only two campaigns were awarded at the Titanium Lions: Crispin Porter + Bogusky, Boulder won the Titanium Grand Prix for their Best Buy ‘Twelpforce’ campaign and a Titanium Lion was also awarded Forsman & Bodenfors, Gothenburg for Ikea ‘Facebook Showroom’.

In Direct Clemenger BBDO Melbourne won a Gold Lion for Guide Dogs Australia ‘Support Scent’ and AIM Proximity Auckland won a Bronze Lion for Tower Insurance ‘Missing Pictures’. The Grand Prix went to Special Group in Auckland for their Orcon Broadband ‘Orcon + Iggy’ campaign, which also won a Gold Lion.

In Media category Colenso BBDO and AIM Proximity, Auckland won a Gold Lion for their Yellow Pages ‘Yellow Chocolate’ campaign and a Bronze Lion for TVNZ’s The Pacific ‘Real Stories’ campaign. Leo Burnett Sydney took out the Cannes Media Lions Grand Prix for Canon ‘EOM Photochains.

In the Cyber Lion awards Colenso BBDO had two shortlisted, one for Yellow Pages ‘Yellow Chocolate’, the other for Vodafone ‘Symphonia Digital’. Yellow Pages’ ‘Yellow Chocolate’ went on and received a Bronze. It was the only award from New Zealand and one of only two bronze awards given from our region with Australia’s Droga5 Sydney for V Australia’s ‘4320 LA/SYD‘ also taking home a bronze. Two Grand Prix were handed out in this category with Sweden’s DDB Stockholm winning for Volkswagen’s ‘Fun Factory’ and America’s Wieden + Kennedy Portland winning for Nike Livestrong Foundation’s ‘Chalkbot’.

In Film Lion awards three entries made it through to finalists stage from Clemenger BBDO Wellington (FATSO, WWF EARTH HOUR), Colenso BBDO Auckland (GOING WEST NEW ZEALAND BOOK COUNCIL, READING AWARENESS) and Clemenger BBDO Melbourne (DOVE LOVE, FOSTERS GROUP ,PURE BLONDE BEER).

In Press category ,Colenso BBDO Auckland picked up a Silver Lion for the Amnesty campaign ‘Beating’, ‘Execution’ and ‘Rebels’. The provocative ads show that by ignoring Amnesty membership calls and street collectors we are in turn ignoring serious human rights issues. It shows crowds gathering around execution, beating and brutality scenarios, but instead of facing inward as a crowd normally would, they are facing outward. Turning their backs on human rights. Colenso BBDO Auckland scored all six of New Zealand’s shortlists with three for the Amnesty campaign and three for Vespa GTS 300 Super.

Amnesty_Rebels

In Radio category Clemenger BBDO, Melbourne won a Silver Lion for the Chum ‘Car Ride’, ‘Fetch’ and ‘Mail Main’ campaign.  In Design Colenso BBDO Auckland picked up a Silver Lion for Alzheimer’s ‘Eraser’. In Outdoor Lions ceremony Colenso BBDO won a Silver Lion for NZ Breast Cancer Foundation ‘Blob’ and a Bronze Lion for TVNZ’s The Pacific ‘Dogfight’.

In Promo category Clemenger BBDO Melbourne lead the Aussie agency pack, each with four entries shortlisted and converted two. One Silver Lion for Guide Dogs Australia ‘Support Scent’ and a Bronze for ‘Bare All’ campaign for M&M’s Mars Chocolate Australia.

In the Craft awards, Colenso BBDO Auckland picked up two Gold Lions in the Film Craft category for New Zealand Book Reading Campaign ‘Going West ‘ produced via Anderson M Studio in London. Awarded in Sound Design and Animation. These were the only two shortlisted entries for New Zealand in the Craft Category.  The New Zealand Book Council spends its time "bringing books to life" for New Zealanders through its programme of events, signings, school programmes and readers and writers festivals. The idea was to bring a famous New Zealand book to life using the magic of animation and to inspire people with the power of the written word.

 

Full List of Clemenger Group Cannes Winners

 

INTEGRATED LIONS

SILVER LION
YELLOW CHOCOLATE
YELLOW PAGES
YELLOW PAGES
COLENSO BBDO AUCKLAND

SILVER LION
SUPPORT SCENT
GUIDE DOGS AUSTRALIA
SUPPORT FOR THE BLIND
CLEMENGER BBDO MELBOURNE

 

DIRECT LIONS

GOLD LION
SUPPORT SCENT
GUIDE DOGS AUSTRALIA
SUPPORT FOR THE BLIND
CLEMENGER BBDO MELBOURNE

BRONZE LION
MISSING PICTURES
TOWER INSURANCE
INSURANCE
AIM PROXIMITY Auckland

MEDIA LIONS

GOLD LION
YELLOW CHOCOLATE
YELLOW PAGES
BUSINESS DIRECTORY
COLENSO BBDO AUCKLAND

BRONZE LION
REAL STORIES
TVNZ
THE PACIFIC TV SERIES
COLENSO BBDO AUCKLAND

CRAFT LIONS

GOLD LION
COLENSO BBDO Auckland
Anderson M Studio
READING CAMPAIGN
New Zealand Book
Going West

GOLD LION

COLENSO BBDO Auckland
Anderson M Studio
READING CAMPAIGN
New Zealand Book
Going West

PROMO LIONS

SILVER LION

SUPPORT SCENT
GUIDE DOGS AUSTRALIA
SUPPORT FOR THE BLIND
CLEMENGER BBDO MELBOURNE

BRONZE LION

BARE ALL
MARS CHOCOLATE AUSTRALIA
CLEMENGER BBDO MELBOURNE

 

OUTDOOR LIONS

SILVER LION
THE BLOB
NEW ZEALAND BREAST CANCER FOUNDATION
BREAST CANCER FOUNDATION
COLENSO BBDO AUCKLAND

BRONZE LION
DOGFIGHT
TVNZ
THE PACIFIC TV SHOW
COLENSO BBDO AUCKLAND

RADIO LIONS

SILVER LION

CAR RIDE
FETCH
MAIL MAN
MARS PET CARE
CHUM DOG FOOD
CLEMENGER BBDO MELBOURNE

DESIGN LIONS

SILVER LION

ERASER
ALZHEIMER
COLENSO BBDO AUCKLAND

 

PRESS LIONS

SILVER LION
BEATING, EXECUTION AND REBELS
AMNESTY INTERNATIONAL
COLENSO BBDO AUCKLAND

 

Fisher & Paykel’s Lost Sock campaign by Colenso BBDO

Fisher__and__Paykel_Logo

For 75 years Fisher & Paykel has consistently led the appliance-world with their innovative thinking. But there’s one thing that’s got them stumped. Your missing sock. They just don’t know what happened to it. It has remained forever unsolved, because, despite the best efforts of its talented team of designers, engineers and scienticians, the appliance maker has admitted that it is the one thing it hasn’t quite managed to figure out.

Colenso BBDO decided to do something about it and have launched the ‘Lost My Sock’ research programme in the hope that, for once and for all, Fisher & Paykel can find out what is happening to all those missing socks.
But we need your help.

We need your lost sock data to help us get to the bottom of a problem that has troubled them  since the invention of the first washing machine. In return for your help (and to compensate for your lost sock) Fisher & Paykel are offering, not one, but two socks.

Lost_Socks

 

Fisher & Paykel Lost Sock

 

Lost_Socks_Related
Innovation and Sock History

Lost_Socks_Database
The Lost Sock Image Database 

The new TVC, which was released and points out the many technological advances the company can lay claim to, aims to draw punters to the lost sock website, where they are asked to upload photos of their orphaned socks. The uploaders then get a sock voucher they can redeem in-store.

Scott Coldham, senior account director at Colenso BBDO, says the campaign is going very well so far, with visitors spending over four minutes on the site since it launched and 5-10,000 people visiting per day. Added to that, over 9,000 sock photos have already been uploaded. And there are already a few fans sharing their sock-related musings on the Facebook page.

Nick Worthington was the executive creative director and Aaron Turk, Colenso Interactive Creative Director was responsible for the web site and digital campaign.

TVNZ: Show Promo Campaigns: The Pacific and Go Girls

Two very clever TVNZ show promotion campaigns were launched this month using digital channels at the heart of the campaigns.

tvnz1

The first was a  very public dog-fight to garner attention. But not an animal dog-fight mind you. In an elaborate ambient campaign, Colenso BBDO has re-enactied a World War II dogfight to promote the TV ONE mini-series, ‘The Pacific’, produced by Tom Hanks, Steven Spielberg and Gary Goetzman. The ten-part mini-series focuses on the stories of three marines during America’s battle with the Japanese in the Pacific during World War II.

Utilising the expertise of the New Zealand Warbirds Association and pyrotechnics company Van Tiel, those in Mission Bay, Auckland watched as a real New Zealand Kittyhawk took on two Japanese fighter planes. The dogfight was visible from anywhere along the beach. The aerial feats is just one many clever acts as part of the campaign to launch the new show.

TVNZ_ThePacific

Last week a giant mural featuring hundreds of copies of authentic letters sent by marines, along with photo’s,  was unveiled on Symonds Street. The letters, complete with browned edges and yellowing paper, were also sent out to random households as part of the promotional effort.

TVNZ_ThePacific_Letters 

The campaign for the mini-series also includes a wall-length billboard covered in letters written by WWII soldiers who fought in the pacific. The outdoor spot is at ground level which allows passers-by to stop and read each letter.

TVNZ_ThePacific_Letter

An interactive web site was also produced by AIM Proximity.

TVNZ_ThePacific_website

 tvnz2

The second campaign is something much more personal and frankly a little bit cheeky. Whether it took place in the McDonalds carpark, behind the bikesheds or on your wedding night with candles, rose petals and Kenny G, the first time is a big occasion. And TVNZ’s online social experiment aimed to find out a little bit more about the nation’s sexual history by getting users to plot the location where they lost (or perhaps misplaced) their virginity.

The online Virginity Map was created to promote TV2’s local drama Go Girls and was AIM Proximity’s response to a brief asking for an engaging and fun way to allow fans to get to know the characters and interact with the show (are we witnessing a lowest common denominator theme in the national broadcaster’s promotions?).

Go_Girls

South Pacific Pictures, the makers of the show, wrote the biographical information for each of the core characters and their pins/sins can also be seen. And viewers – who must be of age to register – can also ‘drop a pin’ (euphemism alert!) on the map and show the world where they lost their innocence. And joyous (or horrible) memories of the experience, anonymous or otherwise, can also be added.

Christchurch: where virgins fear to tread Bridget Snelling, TVNZ brand and business marketing manager, says New Zealanders, somewhat surprisingly, seem to like talking about their making of proverbial whoopee.

“The Go Girls site is enjoying a spectacular traffic boost around the Virginity Tracker launch, representing more than 12,000 page impressions last Sunday, which is on top of ramping numbers behind the regular TVNZ Go Girls site.”

The average user session duration is at at two and a half minutes and the Go Girls Facebook page added 3,025 fans (up to a total of 11,221, which is getting close to Shortland Street levels) and had 581 wall posts, comments and likes. And this, Snelling says, shows the application is doing its job and creating engagement.

“Most people love it, some don’t, but there’s no major outrage,” she says. “And it’s connecting with the audience, which is the point.”

AIM Proximity creative director Michael Barnfield says Go Girls is extremely popular with women in their 30s, even more so than the age group portrayed in the programme.

“For these viewers the website becomes more of an element of nostalgia, and we’ve found that our female audience, and plenty of men too, are only too willing to relive their ‘first time’ now that the memory is at a safe distance.”

TVNZ_GoGirls_Map

TVNZ general manager of marketing Charlotte Findlay says viral marketing, alongside more traditional media, is an increasingly important tool to get viewers and particularly young viewers, to engage with content.  She didn’t mention, however, that viral marketing seems to take on a new, slightly more repulsive meaning when it has to do with the exchange of bodily fluids.

“TVNZ is committed to bringing New Zealanders content they can dive into when they want, where they want,” she says. “We see online applications like this one as an extension of that philosophy, so you’ll see us doing more and more of this sort of activity.”

Wellington region completely exhausts supply of virgins TV2 marketing manager Aimee Glucina says the potentially controversial site was intended to enhance viewers’ experience of the show.

“While there have been specific episodes that deal with the characters losing their virginity, the site is meant as a bonus for fans of the show; a light-hearted and harmless way for our viewers to have a bit of fun . . .We know that the Virginity Map is a little risqué, but so is the show. We feel that the tone of the site is fun, tongue in cheek, and captures the fun, flirty nature of Go Girls.”

What’s the Taste of Yellow?

On February 10th 2010 a chocolate bar was launched to market. It has now become the fastest selling chocolate bar in New Zealand over night. It outsold Crunchie, it’s closest rival two to one. Shops sold out and bars traded on the Internet for up to NZ$87.

But we weren’t selling chocolate!

They say you can get any Job Done with Yellow. Last year Tracey built a restaurant in a tree. This year, average every-man Josh has took up the challenge.  Yellow’s mission was to create the world’s first yellow tasting chocolate bar and bring it to market in six months using companies sourced only from Yellow™, Books, Online, Mobile and Maps. A participation brand campaign produced by Colenso BBDO and AIM Proximity.

Yellow_Chocolate

“It’s been an adventure,” Josh says. “Lots of ups and downs; but I got it to go into supermarkets.”

So what does yellow taste like?

When researching flavours for the Taste of Yellow Chocolate, Josh apparently drew inspiration from his travels around New Zealand, his favourite breakfast (French toast with maple syrup and banana) and his mum’s desserts. His flavour testing road trip around New Zealand showed him most people preferred flavours like pineapple, banana and maple syrup over things like lemon and honey.

The taste of Yellow is hard to put your finger on, but it has a mixture of familiar flavours that blend together to create something entirely unique. It’s fruity, zingy and sweet. When I tasted the Yellow Chocolate bar for the first time, I was actually stunned by how much it tastes like yellow.

A quick taste-test on the streets saw opinion divided – though not on quality, but on the exact flavour. Banana, mint, pineapple – a little bit of white chocolate one punter reckoned. “Wow, that’s interesting mate. Oh yeah, that’s good. Tastes yellow, tastes like pineapple lumps, yeah, quite pineappley – its quite nice mate,” said another. “It’s quite fragrant, it’s yummy, it kind of has that pineapple-banana tropical sunshine,” said another.

Yellow_Chocolate_Treehouse

There were 73,000 bars sold in the first three days on sale at $1.99 each. In an exclusive distribution deal with Countdown, Woolworths and Foodtown only 102,000 limited edition bars were made. “The sales of Yellow chocolate far exceeded expectations. This is one of the fastest selling new chocolate bars Progressive has experienced in a decade,” says Eve Dhar, Progressive Enterprises Limited category manager.

One enthusiast has launched a Facebook page called ‘Make More Yellow Chocolate’ and has a following of 362 fans, demanding another run of the limited edition chocolate. Yellow™ Marketing Director, Kellie Nathan, says “We wanted to prove that just about any mission could be completed using Yellow – the book, online or mobile. And we’ve certainly done that!”

Josh_Yellow Josh says that Yellow Chocolate’s has been brought to market with sheer hard work and the help of many partners:

"Without the help of Yellow and over 45 Yellow businesses that supported me on this mission, I would have never imagined such a great result.

I’m proud of the outcome and stoked to have proven that you can get any job done with Yellow"

Says Yellow marketing director, Kellie Nathan: "Josh has developed a huge following of people eager to discover the taste of Yellow Chocolate, his supporters, and the Yellow Businesses who have been involved, to celebrate a job done. We wanted to prove that just about any mission could be completed using Yellow – the book, online or mobile. And I think we’ve done that!" says Kellie.

Credits

Colenso BBDO:
Executive Creative Director: Nick Worthington
Creative Director: Steve Cochran
Digital Creative Director: Aaron Turk
Producer: Paul Courtney
Planning Director: James Hurman
Group Account Director: Andrew Holt
Account Director: Rachel Turner
Account Manager: Katya Urlwin

AIM Proximity
Digital Account Director: Terri Williams

Porter Novelli PR:
Executive Director: Louise Wright
Senior Account Manager: Sarah Geel
Senior Account Executive: Anna McIntosh

AIM Proximity is Australasia’s hottest full-service digital agency: Digital Agency Index 2010

27th February, 2010

Campaign Brief and Bannerblog have ranked AIM Proximity as Australasia’s hottest full-service agency in their new Digital Agency Index. (see chart below).

Agencies were ranked across three criteria: Awards 10%; Digital 5% and the work 85%.  An interactive version of the list, which will be regularly updated, is available at www.bannerblog.com.au/hotcold. The result recognises Interactive work across a range of clients, which you can check it all out in our AIM PROXIMITY submission.

Digital_Index_Ranking_2010

Other Clemenger  Group agencies also ranked well. The hottest full service agency doing digital in Melbourne is Clemenger BBDO Melbourne and Clemenger Sydney finish in 8th position in the full service digital agency category overall.

It’s surprising there has never been a widespread audit of the agencies doing digital in Australia. The list has already educated, angered, surprised and certainly generated huge discussion between all agencies.

It was important for the jury to compare apples with apples, so all agencies were separated into 3 subgroups: Full Service, Digital Agency and Digital Production. the judges also added an asterisk to indicate independently owned shops. I thought Soap being named the hottest digital agency of all subgroups was a good result, as they have certainly been doing the most creative digital in Australasia consistently over the last couple of years.

Campaign Brief: Future Digital Article

 

I was asked by Campaign Brief magazine to write an article for the Feb / March addition to discuss the changes all agencies are experiencing because of the growth of digital . Below is the story that was published.

Last year in the advertising industry, we saw more change in twelve months than we had in the previous five years. The frightening financial environment played its part certainly, but it was the media fragmentation caused by social networks and the increasing importance of the conversation economy that caused a tipping point in ad-land.

Interactive thinking was in hot demand in 2009 and the push was to create ideas that had value exchange and encouraged customer participation. This meant agency Creative Directors and Managing Directors started to review their creative output and their agency approach to meet the new marketing demands of clients.

Campaign_Brief_Story

Everything was up for discussion within agencies. What talent they needed, what approach suited this new environment best and what structure would allow them to meet these new challenges in a sustainable and profitable way.

My advice to you is simple: embrace it because we’re only at the beginning of what will be a period of dramatic change in the agency offer. The next 10 years promise to be the most exciting, hectic and challenging in our industry’s history and a shake-up of epic proportions is ahead of us.

I’m certainly not going to debate which is better: a pure play digital agency structure or digital silos within a traditional advertising agency group. It’s been my opinion for some time that digital will drive every agency approach and this will ultimately mean every agency will end up in the same place over this decade. No-one owns digital any longer. The best online work last year consistently came from traditional agencies. Digital specialists, the writing is on the wall. Stay as digital specialists and you will soon become little more than a production house. What I do believe is that pure play digital and more traditional agency models do give us a path to where we are heading as a creative industry.

I see agency leaders this year needing, or if they don’t already have then acquiring, an interactive mindset. This means grasping that the Internet is NOT just another way to engage people. It is the central hub in which communication will happen this decade and it is TV, radio, print, experiential and every other channel that will be the spokes of that hub. Without this Interactive mindset, today’s agency leaders will not, and cannot, make the right decisions in 2010 on how best to shift and evolve.

It’s never been more important to get your structure, your talent and most importantly your services and solutions in alignment so you can create and manage brands for clients in this volatile media landscape.

Today most agencies have the typical functions in place, i.e. Account Management, Creative, Planning and Production. If an agency has their interactive digital departments sitting as a silo discipline, or worse a separate agency, then they have a long road ahead.

Digital professionals should be integrated throughout an agency into key leadership positions. Advertising is no longer just about the display ad or the TV commercial or the banner; it’s about creating meaningful tools and architecting user experiences. This means digital professionals being full partners in the campaign development process and contributing to the Big Idea with clients. They can’t be an executional afterthought, buried in the basement. Digital professionals must be integrated across all agency disciplines and functions. Digital skills such as data, measurement and customer experience planning must also be raised into the briefing stage of client’s business problems.

CB-AOY-COVER-AUSTRALIA%20copy

If you put your Interactive mindset at the centre of everything in the agency it means your thinking goes from just producing one big idea and expressing in a one-message-fits-all fashion across all channels, to actually developing interactive participation ideas which are interlinked coherently by useful applications and customer tools, which do not necessarily start and end in the same place, i.e. a move from campaign thinking to programme solution thinking.

While production departments have seen great change, the entire agency needs to live and breathe digital innovation, not just see digital as a production requirement. Successful marketing programmes are now being conceived in both the online and real world to take our client’s customers on a journey of brand touch points. It means with more digital channels, the agency communication programme has become real-time and data driven. Ultimately, this means it can be tracked and is accountable. It also means the ideas and strategies you create for clients are getting much closer to something that is useful to customers and part of a consumer’s daily routine and habit, rather than just producing a series of advertising messages.

If you have a true interactive mindset in place in 2010, it is in the creative department where you will see the biggest changes, especially in how they are structured. In most advertising agencies today, the art director and copywriter team rule, but in a pure play digital agency world that is very different. Here strategy and planning, information architecture, user experience and technology are the kings. Most agency managers see how amorphous advertising is becoming but are in thrall to large numbers of people they employ with specific craft skills. Outsourcing and crowd sourcing are on the increase. Getting the right agency creative structure with all the varied skills and disciplines working together will be the real focus of Creative Directors this decade. They will act more like conductors managing the groupthink and always pushing for big business solution ideas for clients that are memorable and measurable.

The agency production department is the one area that has changed the most in the past two years. Production people now have to create films for TV, web and mobile; develop console games plus video- and game-driven micro sites; and let’s not forget the need for merchandise and e-commerce capabilities.

Agencies now have to know how to create and roll out Facebook applications, iPhone and mobile applications and all sorts of varied interactive animation content. Production teams have to link offline experiential events, festivals, art installations, interactive billboards, QR-code-based posters and print ads so that they drive people to online digital engagement environments that move the customer closer to a product and sale.

It has become very clear to me that an agency cannot just push digital production out of the building. For creative people to conceive unique and challenging interactive ideas and material, they need to be able to talk freely with technologists. The less barriers (real and imagined) means better client solutions.

Agencies need to find a passion for digital production and get involved in the nitty-gritty. The secret to this is having a creative leader who has a heart-felt commitment to the interactive mindset and is prepared to live it, not just talk it.

The new agency creative models that will evolve this decade will be grounded on a strong understanding of brand marketing functions, as well as operational dynamics that can affect a company’s ability to reach audiences and drive sales.

Campaign_Brief_Story_2

I see the true evolving agencies in 2010 being focused on translating client and boardroom business needs into multi-disciplinary marketing outputs that operate in bought, owned and earned media platforms. All three of these media channels are data-driven and this means we need to have more focus on accountability right at the early stages of developing ideas.

Isn’t it results that company board of directors talk about? Shouldn’t we bring them solutions that let them see customer interaction with their brands?

Finally your interactive mindset must fit with your agency culture and this is important when hiring new senior digital people and bringing them into agency structures. The interactive roles that emerged in 2009 will be highly sort after this decade. Directors of Interactive, Customer Experience Officers, Technologists, Data Planners, Information Architects and, of course, Interactive Producers. The agency culture will always need to be watched as you alter structures, discipline, skills and approaches trying to find the optimum balance between driving interactive media, adding digital functionality and at the same time maintaining a high standard of creative output and revenue streams

The digital revolution that started last decade is helping create an opportunity for agencies to move up the food chain with business leaders. There has never been a better time for brand owners and creative agencies to work together to create an interactive mindset that will lead to ideas, services and products that are not only focused on both board room objectives but also on a style of brand communication that is truly useful to consumers, more engaging and relevant to their day-to-day life. It’s always hard to figure out the balance between where interactive is now and the major shift to digital that all agencies are on and must take. But rest assured it’s upon us so in 2010 raise your digital leaders into key leadership, management and culture roles to stimulate those interactive minds and you will see agency change happen very quickly and enjoy the results it will bring.

The Big Won Report: Participation campaigns the big winners of 2009

big_won_report

The Big Won 2009 rankings are out today and if ever you wanted proof that 2009 was most exciting time to be in advertising, the report goes a long way to showing how much advertising has changed.

The Won Report was founded in 2003 to be the first analysis of what was happening in below-the-line and digital communications. Each year, the team logged around 1700 direct marketing awards and 1700 digital advertising awards. In 2006, they looked at all awards across all categories, awarding points according to what was won, and where. In 2007, The Won Report has grown to encompass all awards across all categories and, as a result, has metamorphosed into The Big Won.

The Big Won operates above-the-line as well as below-the-line.The reason for this broadening of scope is because agencies are increasingly becoming ‘discipline neutral’. They create solutions for their clients which work across all media, engaging consumers at multiple touchpoints.

While the recession has had an effect in 2009. what is emerging is a new kind of advertising, which is characterised by what Dale Gall, Worldwide Planning Director for Profero calls “ideas people want to be part of.” ‘Best Job in The World’ the most award campaign of the year is exactly that, an idea that encourages participation. So too does Leo Burnett Toronto’s brilliant ‘Share our Billboard’ work for James Ready. Crispin Porter’s ‘Whopper Sacrifice’ is another great example of a wildfire idea that spreads fast across social media.

What was exciting was to see the Clemenger Group do so well in the Won Report. Several Clemenger agencies and staff featured in the report being part of ideas that were strong enough campaigns to get people involved so communications moves from Business to Consumer into a Consumer to Consumer world.

The report said ‘The most interesting agencies of the year are BBDO New York, Shackleton Madrid, Ogilvy Frankfurt and AIM Proximity Auckland. As well as doing the bread-and-butter work to the highest standards, these agencies are also persuading their clients to meet the future with innovative work that defies categorisation.’

Some Clemenger BBDO Group highlights in the report were;

  • Aim Proximity was ranked second in the world for direct marketing. It should also be noted Proximity Worldwide was ranked the No.1 Direct Marketing Network.
  • Top worldwide advertising network was BBDO. For the third year on the trot, BBDO leads the world. Proximity worldwide made it into the Top 10 at No.7 in its own right, up from No. 12 in 2008.
  • Clemenger Group had four campaigns in the top ten most awarded campaigns in the world for 2009. They were;
yellowtreehouse

The Yellow Treehouse
Yellow Pages NZ
Aim Proximity/Colenso BBDO

magic-salad-plate

Magic Salad Plate
Four N’ Twenty Pies
Clemenger BBDO Melbourne

iPhone_Jonny

iPhone Jonny
Yellow Pages NZ
Aim Proximity

Love_conspiracy
 
Love Conspiracy
The Warehouse
Aim Proximity

 

  • Australia finished the fourth most awarded country for all media. It was interesting that New Zealand finished at No.8 ahead of Australia at No.9 in the new’ media, digital and integrated work category. I expect some good rivalry in 2010.
  • Distracted Driver the mobile/web campaign for New Zealand Transport Agency from Clemenger BBDO Wellington came in at No.10 for Top Digital campaigns of the year.
  • Nick Worthington, Colenso BBDO and James McGrath, Clemenger BBDO Melbourne made the top ten Executive Creative Directors and Dave King, Aim Proximity (who left November 2009) and Ant Keogh, Clemenger BBDO Melbourne made the top ten Creative Directors in the world.

So all up a great result for 2009 from the Clemenger Group, but that was last year and it’s time to get into some all new 2010 work for clients.

Corona Extra – From Where You’d Rather Be. An Interactive campaign from Clemenger BBDO Melbourne

CoronaExtraLogo_4941

Corona Extra is a brand of pale lager owned and produced by Cerveceria Modelo in Mexico. It is the top-selling beer in Mexico and is one of the top selling beers worldwide. Corona beer is available in over 150 countries including Australia where it is the longstanding number one imported bottle beer through the Fosters Group.Beer drinkers in Australia continue to seek this beer  for its refreshing taste. The lime serving ritual is key to the Corona consumer experience. Regardless of the time of the year, Corona is best served ice cold, with a wedge of lime that complements and intensifies the flavour through the palate. It’s the perfect beer to be enjoyed with a group of friends and is the ideal accompaniment to lighter foods and seafood. carona
corona_postcard Corona’s Extra brand is expressed as ‘From where you’d rather be’.This is expressed in TVC, print and other in store marketing material.
where_rather_be Clemenger BBDO Melbourne decided to bring this positioning to life online and when you where next in front of your computer screen. A likely time when you would rather be somewhere else.Corona’s new web site takes you to the places and events you would rather be at via an interactive community slide show application.
view_slides View a slide show is the easy way to find somewhere you’d rather be.Set your seat to recline and enjoy a compilation of the best shots set to music that’ll make your forget your at your computer.
create_slides Create your own, everyone’s got a different idea of where they’d rather be. That is why you can create your own slideshow and share it with friends . Simply browse through the vast library of photos submitted but users and choose the ones that make you the most jealous in comparison to where your are now. Too easy!
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