Spike Awards 2008, Bali Indonesia

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April 16th to 18th, 2008
Bali, Indonesia

This week I was in Bali as a judge at the Spikes Advertising Awards. The Spikes are the oldest and most prestigious creative advertising awards show in the Asia Pacific region. Designed to encourage and celebrate creative excellence across all forms of advertising, the Spikes seeks to raise the bar for creative standards in our region.

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The event is was held for the third time in beautiful Bali and incorporates an opening cocktail, a two day creative conference featuring leading global creative directors, an exhibition of the finalists work and two dedicated awards presentations, spread over two nights to ensure that the region’s best work is fully showcased.

The Clemenger Group did very well at the award show with ‘Self Destruct’ from Colenso BBDO winning GOLD for best Outdoor Campaign as well as picking up a SILVER in the Outdoor Business Products/Services category.

Self Destruct by Colenso BBDO

OMD New Zealand scored a BRONZE for the Air New Zealand ‘grabaseat Dart Around NZ’ program in the Sports/Entertainment/travel and leisure MEDIA category and Clemenger Wellington picked up a BRONZE for ‘Fly Buys Dreams’ in the Best use of Animation, Computer Graphics/Special Effects. Lingerie 4 Men from Colenso BBDO was a FINALIST in the Integrated category.

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You just got to sit in the Yahoo Big Idea Chair.
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‘Self Destruct’ from Colenso BBDO won GOLD for best
Outdoor Campaign

With ‘Self Destruct a GOLD winner it competed for the Platinum Spike against all the other category Golds’ that included Leo Burnett Malaysia for its ‘Tan Hong Ming’ TV commercial, Ogilvy Thailand’s ‘Tree’ print campaign for WWF; TBWA for its own commemorative direct marketing campaign ‘The Book’. But the overall winner was Leo Burnett Australia for its WWF Earth Hour campaign that won in INTEGRATED. Earth Hour also won the competition’s inaugural Green Spike for demonstrating outstanding creativity in raising environmental issues. It’s the year of the Green awards.

In the Digital category Sony Marketing Japan’s ‘Color Tokyo!’ campaign, created by Hakuhodo, took home the only gold. The category, which was headed by Glue London chief executive Mark Cridge, also saw six additional silvers handed out to: adidas’ ‘The Rook’ by Ogilvy Shanghai; HP’s ‘Toyrama’ by Arc Singapore; ‘Pepsi’s Can’ by Agenda Shanghai; ‘The challenge of the crazy genius’, created by Dentsu for World Commerce Corporation; Honda Motors’ ‘The Ten Commandments’ by Dentsu Japan; and Tohato’s ‘World’s Worst War’ by Hakuhodo. Cridge, who also chaired the digital jury last year, pointed out that there had been a noticeable improvement in the quality of work, particularly in terms of the consistency of craft.

Jeff Goodby the co-chairman from Goodby Silverstein and Spikes 2008 chairman of the core jury exhorted delegates to focus on the power of storytelling at the Spikes 2008 conference keynote address. Goodby used the work of his mentor, the recently deceased Hal Riney, to demonstrate the importance of emotion, culture and characters in advertising – and pointed out that in today’s “multi-layered world”, these factors are critical. “You should see a way of using your own culture as a springboard for your work,” he said. “If you do that, it will be relevant, warmer and funnier.”
Goodby also pointed out that creatives must wean themselves away from a reliance on TV. “You just have to force yourself not to start from that platform of a TVC that is so pervasive.”

adtech Sydney 2008

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March 12th to 13th, 2008
Sydney Hilton

I was asked to speak at Adtech Sydney on the subject of Integrating Digital into the Communications Plan. For many, the challenge of integrating digital into your “everything else” plan can prove to be harder than what it should be. The question posed was do you start with digital and wrap everything else around it or look at digital as a silo, one of which is growing at an exponential rate, and plan individually?

I was joined in the discussion with my colleague from Vodafone David Morrow, Head of Online and Russell Easther from P3 Digital who moderated the discussion. David and I spoke about the good, the bad and a number of techniques on how to integrate digital into communications plan.

adtech_panel icon_rss To listen to the Integrating Digital into the Communication Plan
talk and other Ad-Tech Sydney podcasts click here.

A few of the questions and answers from the session are highlighted below;

Adam – examples over the years of poorer digital integration? Classic story/joke

I have a few stories and some scars. I take my shirt off and show you some of my scars if that helps.
Seriously I think every digital guy or girl has had the one where it’s ‘hey what can you do online with this completed TVC that’s running”. The bad integration happens when the idea is cracked and a medium is chosen and online is seen as a matching luggage approach. In other words animate this press ad and by the way we have no budget.

Adam – is it getting better?

Yes for both agencies and client’s are starting to get very knowledgeable and also very passionate about the interactive medium. Because digital is so accountable in terms of getting data there is much more interest in the medium and how it can lay a stronger role in the marketing mix. Of course how you use digital, and when you use digital as always must be surrounded in a core idea. There are obviously some people still worried about the digital extension rather then just getting on and developing great ideas and producing compelling content for consumers. If this is done then digital just finds a home. Some people are still a little nervous to do large scale digital programs but hey those groups will be years behind the people that embrace it. Getting the planning and creative process right in the marketing mix is essential.

Adam – why?

The ability for consumers to control what they consume is a cause for celebration in my mind, not widespread panic. It’s fact there is now too much proof that people are willing to interact with brands and products in deeper and more meaningful ways than ever before. Our job is to find and give a good reason for them to do this.

Adam – what are the traits of traditional agencies that know how to integrate digital?

I think respect for the medium, the digital skill set and then ownership in making it work across the organisation are essential elements in making digital work for clients. I think any agency that has a structure where digital is off to one side or in a silo is a little 1995. Sure in the beginning it was right to have a group that specialised in digital but today digital technology is everywhere. The TVC is in the end a video digital outcome, it is produced as zero and ones. It can run on varies screens, devices and platforms. Any forward thinking agency should have digital at the heart of it’s operation across creative, planning, production and account servicing. If it does not it won’t be a relevant agency to build client solutions.

Adam – can you share any interesting experiences of a media and creative agency ‘integrating’ digital communications?

Like a lot of people I would prefer media and creative agencies living together under one roof and structure. But those days are long gone, and to be fair the media game is now very specialised in terms of the data, science and measurement around paid media planning and buying. That said in the digital world media and creative are very hard to separate. The best ideas and programs are when you have close collaboration. I’m not a big fan of the media spreadsheet being sent around and the creative agency developing creative to spec sizes and formats. This only results in push advertising solutions.

Creative and media people working closely together with a strong ‘respect’ and clear ownership to the clients objective we can start to create better ideas and deliver better results. I think media and creative agencies working together can start to create a new currency for brands. Develop things that people will seek out, use, play with, and hopefully share. A lot of the time we are trying to develop killer applications or at the very least some communication community products that people will talk about.

Adam – Through your years of experience, what is the best brand that integrates digital communication the best?

On a category level I think travel, IT and telecommunications have done some of the best innovates programs over the years. Basically any brand that has been testing and learning with digital for 10 years plus is a long way ahead of those that have only been doing it for the last couple of years. Outside of these categories I have always like what Volkswagen do in the UK. There current online programs and web site for their range of cars is excellent. It works if you are ‘in market’ or ‘near market’ a car purchase. Of course Nike has set the bench mark last year for true digital innovation re a product such as Nike Plus. But to be truly honest the online brands are still the best at understanding customer experience and delivering compelling content that gets people back time after time. A good R&D team is needed here to deliver this for an organisation and at the moment only true digital online brands like a Google, Amazon or a FaceBook get that thinking.

Adam – Is the push from agency side, or client side, for digital integration?

I think it’s now the clients that push for integration. And to be honest I think they are over agencies giving them lip service on how they are structured when they use digital. A client really does not care how an agency is structure they just want to work with the smartest, most creative people they can muster. Marketing budgets are not getting any larger and as such clients are always looking for big ideas. I think client’s like to work with agencies that can deliver sustainable and collaborative ways of working, when sharing ideas.

Adam – From agency side and your experience, exactly how, what steps, what techniques do you use to integrate digital internally when integrating digital in a communications plan?

My current role is to integrate digital thinking across a variety of Clemenger Group agencies that have a specialised focused in either advertising, direct, PR, retail, events etc. As mentioned I’m trying to put digital at the heart of all marketing service companies because it’s a good way to foster and develop integrated thinking and the process of integrated implementation rather then matching luggage. We are not ring fencing digital into an agency or department. Dialogue between brands and consumers can start and finish anywhere… jumping between media spaces, from print to event to mobile to street stunt to TV…the Internet is not the purpose in itself, only the big link between everything. We have digital training programs running regularly in all our agencies and across account, creative, planning teams. They are always getting hit with something new to digest and learn.

Adam – Did you have to move any mountains internally to get those steps across the line?

Well sure. Some people don’t like change, some worry about the revenue impact and the structure impact if staff are not trained in digital. Really as mentioned I really do worry less about the right model and worry much more about the ideas we present to clients.

AIM Proximity ranked second in the world out of 900 direct marketing agencies – The Big Won global analysis

 
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New Zealand’s AIM Proximity part of Clemenger Group, has cemented its reputation as a world leader in digital and direct marketing according to London-based The Big Won global survey,  AIM Proximity has been ranked the number 2 direct marketing agency in the world from more than 900 other direct agencies in 73 countries. In the combined multi-discipline list of all agencies, involving 1,600 agencies worldwide, AIM Proximity is ranked 33 in the world, and number one in Australasia out of 92 agencies. 

In addition, AIM Proximity’s Body Parts campaign for the BNZ was the number one direct marketing campaign in the world, from more than 1,200 campaigns.

International and National Award Success

The high global ranking by The Big Won reflects AIM Proximity’s success in a number of awards in the last 12 months.  A wide range of client campaigns were recognised for their excellence both nationally and internationally, involving multiple disciplines including digital, data analytics and direct marketing.

Thirteen different AIM Proximity clients were represented among the various 2007 awards including: Westpac, Air New Zealand, NZ Post, Toyota, Yellow Pages, IAG, Xtra, The Press, Lexus, Pharmacy Brands, Toyota Financial Services and Haunui Farms.

AIM Proximity achieved success at the Cannes Lion Direct in France for work involving clients Westpac, Air New Zealand and Haunui Farms. At the New York-based Caples Awards, AIM Proximity was recognised for work involving clients Air New Zealand, BNZ, Haunui Farms, NZ Post, Toyota, with both BNZ and Haunui Farms campaigns securing Gold.

While at the Oscars for direct marketing, the United States Direct Marketing Association’s ECHO awards, AIM Proximity was recognised for work involving clients Air New Zealand, NZ Post, The Press, Toyota, Westpac, Yellow Pages, and Xtra.

At the New Zealand Direct Marketing Awards, AIM Proximity picked up the Supreme Nexus for the ‘Lexus IS art in motion’ campaign, while other campaigns recognised involved clients Air New Zealand, Haunui Farms, IAG, NZ Post, Pharmacy Brands, Toyota, and Yellow Pages.

About The Big Won

London-based The Big Won (www.thebigwon.com) is an annual analysis that ranks the world’s best advertising and marketing agencies, as measured by the quantity and quality of awards won.

The 2007 results covered nearly 10,000 awards presented in 73 countries to more than 1,600 agencies across all marketing disciplines, including advertising, direct and digital marketing.

The Big Won grew out of the Won Report which was established in 2003 by Patrick Collister, the former Vice Chairman of Ogilvy & Mather. In renaming the report in 2007, The Big Won was reframed to become the first-ever compilation of agency rankings spanning all disciplines: below-the-line, above-the-line, online and offline.

According to Patrick Collister, the new and more comprehensive annual global survey is a recognition that integrated campaigns have become the norm. “Following the direction agencies are moving, it appeared logical to monitor all awards across all media rather than merely investigate ‘below-the-line’ shows,” he said.

The Big Won website is an online database which is an invaluable tool to agencies wishing to measure their performance against key competitors. The Big Won is revised monthly so that visitors can see the top campaigns to date across all channels, TV, Radio, Press, Poster, Digital and Direct, as well as the top agencies by total creativity and by media. In addition, The Big Won tracks and ranks the performance of top individual creative talent around the world. The analysis allows CEOs to monitor the creative performance of their agencies, using the rankings as benchmarks.

Tribal DDB Worldwide is First Digital Shop to be Named AdAge’s Global Agency Network of the Year.

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It was fantastic to see Advertising Age name Tribal DDB Worldwide as its Global Agency Network of the Year. This marks the first time in history that a digital company has ever won the honor.

Matt Freeman’s vision has always been to build a global network with a collaborative and border-less approach. Tribal had a huge year in 2007 and this award is testimate to great work and continued agency growth. A big congratulations to Matt, Stephan, Paul and Liz and all my former Tribal colleagues. Go Tribal!

Full article can be found here.

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Tribal DDB Worldwide Management Team in Shanghai July 2007 (from left to right)

Liz Ross, President US West
Me, President Asia Pacific
Paul Gunning, President US East
Matt Freeman, Worldwide CEO

Missing from the photo is Stephen Beringer, President Europe

Grabaplane: A participatory viral promotion from Air New Zealand

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Air New Zealand came to Colenso BBDO and Aim Proximity with a business challenge. Pacific Blue (Virgin) was preparing to enter the New Zealand domestic market in December 2007. Obviously Air New Zealand wanted to minimise the impact of their arrival and stop them gaining a foothold in the New Zealand market. To do this, Air New Zealand wanted to continue to communicate their brand leadership and get them talked about. They wanted to ensure leisure travellers of all shapes and sizes who shop around for the cheapest fares still keep Air New Zealand top of mind.

Our Idea, Grabaplane’, fill a plane with your friends and you have a chance to fly it anyway in New Zealand . A ludicrous offer from GrabaSeat

The mechanic was to create a virtual plane, name it, select your start and end destinations and what you’ll do for a day. To be eligible for the plane you need to fill it with 40 friends within the four week promotional period. As a registered user you could only have one flight but you could be invited on as many other flights as you like. Yes a truly viral mechanic. The consumer value exchange was wonderful. How often in your life do you get a chance to grab your own plane for a day and fill it with all your mates and fly it anywhere you want in New Zealand for free? In what is a world first, the Air New Zealand grabaplane promotion captured the nation’s imagination.

The campaign launched on December 15th, 2007 and ran for four weeks. The results of the campaign were huge and was New Zealand’s largest ever online promotion. Over 5% of the New Zealand population was engaged for over a month. We had the launch, the viral build, the close and the event it’s self. We had free media from TV news stories, radio call outs, newspaper articles, Blog postings , face book wall postings.

Check out the campaign show reel below, note the music track is ‘Sun Hits The Sky (Radio Edit)’ by Supergrass.
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Australasian Media & Broadcasting Congress 2007

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28 – 30 November 2007
Hotel Intercontinental
Sydney, Australia

This week I spoke at the Australasian Media and Broadcasting Congress. This years event was even bigger and better then previous years. The two day event kicked off with talks from Australia’s leading online publishers Richard Fredenstein, CEO News Digital Media, Jack Matthews, CEO Fairfax Digital and Tony Faure, CEO Ninemsn.

After each talk there was a joint panel discussion, and while there is considerable respect for each other there was much debate around the theme of measurement. It was clear each publisher had different interpretations on what measurement was key in determining who was the best online publisher in the country. The discussions around ‘reach’ was heated with varies confusion on metrics around Unique ]Users vs. Unique Browsers. While the panel was not setup to resolve this issue it was agreed that clients and media agencies need to work much harder on determining the best metrics for measuring online campaigns before booking campaigns with online publishers.

During the two days there were talks and panels from APN News and Media, Leo Burnett, Seven Network, Network Ten, Foxtel, PBL Media, MySpace, Fremantle Media, Bigpond, BBC Worldwide, etv UK, ITV Uk, google, DDB, Commercial Radio Australia. The common themes of the event were as follows;

  • The revenue generating opportunities created by digital media
  • The changing nature of media consumption
  • The future of digital film and television
  • The impact of emerging technology in the online publishing world
  • Media metrics
  • Digital media communities
  • Government plans and policies
  • Industry business models

My talk was titled adapting to stay in touch with digital consumers, where I looked at and evaluated the trends driving the future behavior of tomorrow’s audience. I also discussed where consumers heading based on this behavior. I then moved the talk into the new agency service models and how to offer digital innovation to stay ahead of the game. If you would like to get a copy of this talk please feel free to email me.

adtech New York 2007

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November 5th to 8th, 2007
New York Hilton

This week I spoke at ad:tech New York the world’s largest interactive advertising and technology conference dedicated to connecting all sides of today’s marketing landscape. The four day event had keynote speakers, topic driven panels, interactive workshops plus over 300 exhibitors. I must say I found the event to be quite a frenzy and reminded me a little of those dot.com days.

The frenzy was caused by several industry announcements that fueled much debate and discussion throughout the event on where the Interactive advertising industry is headed.

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The first big announcement was from Google re the Google Phone project and while the first devices aren’t due to be shipped for at least another six months, there’s already breathless speculation about the look, feel and functionality of the new open development platform mobile device. Google has this year lobbied that an open network is necessary to give US consumers a third choice in mobile broadband, rather than be limited to buying service from either a giant cable or phone company, and to bring wireless innovation in the country in line with other parts of the world, notably Europe. Google pledged to bid at least $4.6bn in the forthcoming spectrum auction if the FCC agreed to add these open-network requirements

The second was from Facebook CEO Mark Zuckerberg where he said, ”Facebook will help you create some of the best ad campaigns you’ve ever built" as he unveiled the Facebook Ads platform, a system by which marketers can marry an ad message to a user-initiated endorsement of a product or service.
While this announcement was digested, Randall Rothenberg, president and CEO of the Interactive Advertising Bureau, in his adtech talk said: “The state of the industry is excellent, yet it’s also at risk: while growth remains strong; growth up 26 percent in first half of the year, which we expect to continue. The online ad industry is on track to hit its first $20 billion year – that’s one-third of the TV ad space after about 13 years of internet ads started.” He then warned the industry that “Anti-consumer advocates are out to stifle the industry, including the FTC, which wants complete regulation of cookies themselves and could require opt-in stipulations for all online ads. As last week’s hearings suggest, they feel the time for fact-finding is over, it’s now time to regulate.” Other highlights from the session focused on the rise of platforms and the search for the least disruptive forms of online advertising. Could this be the reason Facebook is valued at $15bn?

I was invited to speak on the ‘Global Perspectives on the Digital Revolution’ panel representing and discussion trends from the Asia Pacific region. I was joined by Marc Lansberg, President, Arc Worldwide speaking US, Ole Obermann VP of International Digital Business Development, Sony BMG representing Europe and Peter Blacker Senior VP, Digital Media, NBC Universal, Telemundo Network Group speaking about Latin America. It was moderated by Paul Maidment, Editor of Forbes.com.

icon_rssTo listen to the Global Perspectives on the Digital Revolution
panel discussion visit
http://www.ad-tech.com/podcasts/

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IPTV Australasia 2007

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Monday 22nd and Tuesday 23rd, October 2007
Main Conference Room
Hilton Hotel, Sydney NSW Australia

IPTV, WebTV, P2PTV, vodcasting, streaming and downloaded video media. The list of multiplatform
delivery models goes on. The question that needs answering is what does video content delivered over Internet Protocol mean for broadcasters, content producers, operators, advertisers and service providers.

Investing in on-demand and IPTV services is an expensive and a demanding undertaking. No only do you need to get the technology implemented quickly and effectively but offering value-added services needs to be a compelling and rewarding experience for your customers. Enter the market under prepared and you risk giving market share to your competitors. The more you understand about the challenges and opportunities of offering IPTV services, the better placed and clearer the task of choosing partners and new on-demand services becomes.

These were the themes covered in a two day conference in Sydney this month at the IPTV Australasia the region’s only two-day executive level conference that analyses the profitable business models, evolving access technologies, emerging delivery devices and content windowing strategies in the on-demand, and broadcast environments.

I was asked to be on the ADVERTISING AND INTERACTION panel to discuss the how the IPTV environment will change advertising, branding and storytelling over TV platforms.

Below is a summary of my talk.

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In its raw form IPTV advertising offers brands an immersive television experience with the added bonus of being able to enhance it with interactivity. It will also offer marketers the addressability and accountability of advertising that exists in the Internet world, enabling the targeting of individual homes, personalized messages, and more accurate measurement of an advertisement’s impact. But what the real impact of IPTV offers brands and marketers is to move from producing an interruption message to developing compelling content .

The successful future brands will be the ones people actively seek out because they can hold an engaging conversation. The advertising industry will need to move and be structured much closer to the world of the content industry. The new advertising mangers and leaders will be the groups that know how to deliver and program audience involvement. They will build brands with much more layers and craft and deliver their personalities across multiply digital devices and access channels.

The management of brands and communications and the future marketing department will be more like team similarly structured to managing a weekly television series. Brands will always be about big ideas, but in the new IPTV world the daily audience ratings will dictate its success or failure.

At Clemenger Communications, we believe digital creative innovation offer brands their biggest opportunity. It allows businesses to create an immersive brand experience to pull a consumer in, lean forward and participate. We call this ‘digital engagement’.

Digital engagement measures the extent to which a consumer has a meaningful brand experience when exposed to a combination of commercial advertising ,and content programs developed across multiply media and digital platforms.

Big ideas are essential to connect to people. People are not just strategized and developed databases and profiles. They are people and as such, we focus on crafting a brand experience by maximizing three key areas of story telling.

1. Mechanics, in digital planning terms this describes creating the idea and nourishing this with particular components and/or story of the digital experience.

2. Dynamics, in technology and build terms this describes the run-time behavior of the mechanics acting on consumer inputs and each others outputs over time.

3. Aesthetics, in digital creative terms this describes the desirable emotional responses evoked in the consumer, when they interact with the program experience across multiple devices and channels. Oh, if you didn’t know multiple devices and channels is another word for media.

Compelling content rather then interruption messages pull connected people and communities together, and move these targeted people from an acquaintance of the brand to a friend.

At Clemenger Communications we arm our agencies and develop compelling content by employing some of world’s most awarded and effective advertising creative people and housing them in our Clemenger BBDO agencies offices in Auckland and Wellington. Creativity delivered in the digital interactive form deliver marketing programs that gain audience involvement . The result is business success, just ask any of our long servicing clients. Exciting times ahead welcome to Digital Innovation.

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Frucor: V Republic: ‘it’s what you make it’

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October 10th, 2007

The Energy Drink category first started booming in Europe and Asia in the early 1990’s. "Red Bull" is widely accepted as the largest and first brand to recognize the need to provide people who lead a busy lifestyle with a boost of energy and vitamins in one swift (non alcoholic) hit.

Frucor Beverages Ltd is one of Australasia’s most dynamic and successful drinks companies and marketer of innovative beverages. Noting these international trends, Frucor’s launched ‘V’ in New Zealand in August 1997. ‘V’ goal was to deliver all the pick-me-up qualities of Caffeine and Guarana in a brand designed specifically for daytime.

Colenso BBDO worked closing with Frucor during the creation of the product and launched V via a campaign called ‘Mid-Afternoon Wake Up Call‘. In just two years V captured over 60% of the entire New Zealand energy drink market. New Zealanders drink twice as much ‘V’ as all other energy drinks combined! ‘V”s popularity grew so fast it is actually grew the entire energy drink category all on its own. Coca Cola NZ even put out a drink that looked similar in packaging to steal away some momentum, so ‘V’ had a change in bottle shape to avoid any confusion.

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Today V is still the number one energy drink and as the second half of 2007 rolls through the energy drink category has seen some new entrants competing for market share. Research this year has indicated the core target audience (15 to 24 years) was perceiving the V brand as a little one dimensional and maybe too TV centric compared to the aggressive experiential brand competitor of Red Bull.

Colenso BBDO with OMD New Zealand was tasked to find a relevant and meaningful way to take the V brand beyond TV, into the lives of the core target. We discovered an insight that our core market valued opportunities that allow them to express themselves, connect with others, and at the same time challenge everyday constraints.

image This insight into our audience gave birth to the idea
V Republic. An online community that asks members to challenge everyday boredom for exclusive benefits and experiences.

In a nutshell the V- Republic launched this month is an online and offline platform that is the opposite of boredom, conformity, and the same-old. In fact you’re in charge. Yep, you say jump, we say "how high, how far, where, with whom, and what should we land on?" We want your ideas on some stuff we’ll be doing for you over the next few months. Then the people (that means you) vote on which ideas will actually happen. For real. So join in and have your say, because who knows what you want better than you?

V Republic home is located on Bebo, New Zealanders most popular social network site. Actually V Republic is the first New Zealand advertiser to invest in an exclusive online strategy through Bebo. By housing the V Republic within Bebo we do not have to invest time, energy and money dragging the target away to an alternative website – this is our “Trojan horse”. image

The V Republic launched is all about showing the premise of ‘it’s what you make it’. We are out there asking  V Republic users what we should do with $100k (and a pallet of V). We are also fully utilizing the entire suite of Bebo advertising assets from homepage takeovers and homepage video to editorial mentions and banners all with the purpose to promote the V Republic over the forthcoming months. As a result already the campaign successfully is the largest Bebo community with over 10,000 members and growing.

Key events and benefits that will be promoted through the V Republic and Bebo over the coming months will include;

• A free party thrown for the “most loved” town
• An Auckland block party with Aussie band The Midnight Juggernauts
• A Wellington block party with local legend (TBA)
• V supplied VIP bathrooms at the Big Day Out

V- Republic is allowing us to tap into and learn key consumer insights of our audience around connectivity, exploration, sharing and customization. The immediate nature of the Internet is already giving us feedback and insight into what resonated with our key target audience. An exciting time is ahead.

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FMCG brand experience created through compelling content and allowing this to be accessed from multiply points

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It’s been six wonderful weeks in New Zealand and I’m thoroughly enjoying the creative and vibrant zing the country has to offer. It’s been great getting around meeting new clients and my new agency group colleagues at Clemenger Communications.

My posting today will look at brands in the Fast Moving Consumer Goods category (FMCG), also known as Consumer Packaged Goods (CPG), which are products that have a quick turnover and are usually relatively low cost. For many years there has been considerable debate from FMCG marketers on how to use online or interactive in the marketing mix to create brand impact that results in sales.

What we do know and don’t debate is that there are three basic human experiences that go back to the cave: storytelling, game-playing, and music. With this fact it has been a very correct decision to use a high level of TV in the marketing mix as it has been the best way to deliver on all three human experiences and deliver a strong brand message.

Now with online usage and demand taking on television re time spent, online is now becoming the people’s oxygen and thus we are seeing consumers seeking to accelerate their expectations of brands and are looking, and other times stumbling via friend referral to control a hybrid of the experience of storytelling, game-playing, and music through a variety of access channels. FMCG brand content experience is now upon us as it creates brand tone and preference that you can share.

Now FMCG brands have a wonderful opportunity to create brand impact by going beyond a brand proposition and message developing ‘compelling content’ and delivering this over multiply access points and channels. Below are three campaign examples of this produced and roll-out by our Colenso BBDO agency in New Zealand this month.

snickers_logo Client: Master Foods
Brand: Snickers
Agency Coleus BBDO

Objective
Get 16-24 year old men who need something substantial to fill the hunger gap to consider Snickers to satisfy their hunger so they can make the most of their day by challenging them to “get some nuts”.

Idea
Lingerie 4 Men
www.lingerie4men.co.nz

We pretended to be a company called ‘Lingerie 4 Men’. We needed a spokes person for the brand and that would require a face and body behind it to have some seriously huge nuts.

Medium and Access Channels
Outdoor/Online/Viral

Credits
Creative Director
Art Director
Copywriter
Account Director
Account Manager
Agency Producer
Interactive Producer
Interactive Art Director
Interactive Designer
Richard Maddocks
Maria Lishman, Anne Boothroyd
Anne Boothroyd, Maria Lishman
Katrina Ingham
Kate Smart
Paul Courtney
Rebecca Holt
Mark Addy
Simon Koay

 

frank_logo Client: Frucor
Brand: Frank
Agency Colenso BBDO

Product Background
Adults want a non-alcoholic range of beverages which are refreshing, fun and sessionable. Frank is a range of lightly sparkling, truly refreshing, non syrupy soft drinks which is socially acceptable any time of the day or night….and it’s not Coke!. Franks gets me. Frank is the only range of readily available soft drinks that appreciates adults….franks knows what I want and is something just for me. Allows me to be feel part of it and completely undeprived when not drinking alcohol in social situations. Makes my everyday ‘drinks break’ more special and rewarding.

Idea
Frank Love Songs
www.franklovesongs.co.nz

We created four love songs with a frank twist to promote Frank beverages. Short viral versions of the songs were rolled out week- by- week set to karaoke-style videos which were emailed around, on social network sites and even some high trafficed dating web sites to drive traffic to franklovesongs.co.nz. Once at the site, people could watch the full-length version of the song and video and subscribe to the podcasts to receive the next songs as soon as they were released.

Medium and Access Channels
Online/Viral/Podcast

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Credits
Creative Director
Art Director
Interactive Art Director
Copywriter
Account Director
Group Account Director
Agency Producer
Interactive Producer
Interactive Designer
Richard Maddocks
Bradley Averill
Mark Addy
Simone Louis
Scott Coldham
Angela Watson
Jonathan Gerard
Rebecca Holt
Simon Koay

 

fling_logo Client: Master Foods
Brand: Fling
Agency Colenso BBDO

Product Background

Fling is a light low calorie chocolate bar, created for women who want a harmless treat on occasion.

Idea
Harmless little fling
www.haveafling.co.nz

To launch the bar in New Zealand, we created haveafling.co.nz. Women could choose to have a personalised fling with a foreign billionaire or a bad boy on the run. They could also download the men as pets for their desktop, start a real fling using Flingmail, create an alibi, and learn about some basic fling etiquette. Everything on the site had no consequences, because just like the chocolate, it’s just a harmless little fling.

Medium and Access Channels
Online,Print,TV

Credits
Creative Director
Art Director

Interactive Art Director
Copywriter

Account Director
Group Account Director
Agency Producer
Interactive Producer
Interactive Designer
Production Company

Richard Maddocks and Steve Cochran
Rebecca Johnson-Pond, Kimberley Ragan,
Jessica Neale, Amy Thexton, Mark Addy
Mark Addy
Kimberley Ragan, Rebecca Johnson-Pond,
Amy Thexton, Jessica Neale, Mark Addy
Katrina Ingham
Angela Watson
Jonathan Gerard
Rebecca Holt
Simon Koay and Simon Redwood
Flying Fish